How does technology ‘see’ us? Inviting us to peek through the vision of a computer, these altered archival pictures make visible the visual language of recognition algorithms.

Lovely short video — Bathed in the brilliant warm Spanish sun, the residents of Barcelona are limited to rooftops and balconies for solitary exercise and fresh air during the covid-19 lockdown.

A mysterious flea market discovery leads artist Pablo Lerma down the archival rabbit hole. With the help of 19 writers, he resurfaced with a beautiful book project that blurs the lines of fact and fiction.

In a surreal play on self-portraiture, Tommy Kha creates 3-D masks of his face for his friends, family, and strangers to wear.

A London-based street photographer gives us an intimate look inside UK supermarkets during the coronavirus pandemic.

We’ve compiled a big list of resources available to the global photography community as we navigate uncertain times: Find financial support, enroll in an online course, discover some new inspiration, or join a virtual community. Updated weekly.

This experiment in shared authorship weaves together an enigmatic imaginary New England location out of spellbinding monochrome vignettes.

Nanna Heitmann combines elements of traditional documentary road trip photography with elements of Russian art and folklore in her depictions of an eclectic mix of individuals, interiors and landscapes.

Rembrandt’s masterpiece The Night Watch is viewed afresh through the eyes of its audience for a revealing film installation

Ciriani’s latest projects looks at a former mining town in Belgium, investigating how the past still shapes the present

This article was originally published in issue #7893 of British Journal of Photography. Visit the BJP Shop to purchase the magazine here. In 2014, an airstrip was constructed a few miles to the west of Braşov, in central Romania, as the inaugural stage of an international airport. Yet half a decade later, the airport remains unbuilt. The Leipzig-based Romanian photographer Mihai Șovăială — a native of Braşov — initially followed the airport’s travails from afar. After construction halted, the semi- abandoned runway became thronged with activity. “There were agricultural machines using the land strip to cross the fields, and speed lovers came for car racing,” recounts Șovăială. “Children from the nearby town, Ghimbav, came to play. For me, it was a very utopian vision. This is how my project started.” The aptly titled Holding Pattern is named after an aerial manoeuvre whereby pilots circle around an airport until they can land. Between 2016 and 2019, Șovăială repeatedly returned to Braşov to circumnavigate the site, capturing the surrounding ground, and the structures and objects that litter it. Initiated by …

Coco Capitán, Laia Abril, Roger Ballen, Joshua Lutz, and Bex Day, respond to the theme the mind for Mental Health Awareness week 2020 — the next article in a new series inviting artists to respond to a theme with image and text

Abstract forms, vivid colours, and unexpected motifs thread through Davison’s exploration of the Miao in Song Flowers — his second photobook published by Loose Joints, in collaboration with fashion house Marni

Rafael Heygster and Helena Lea Manhartsberger’s collaborative project captures the surreal tensions created by the rapid normalisation of new rules and infrastructures

Don McCullin, Hannah Reyes Morales, Nadine Ijewere, and The 1619 Project are recognised in a new series of films and online galleries

The acclaimed British artist-director unpacks representations of economic and military power in his work

Because of my short career as photographer, my portfolio is mainly practice material and shot close to my home. Finding the beauty in things you see every day, requires me to see things in a different perspective and develop myself.
The post Landscape photography by Jeroen Lagerwerf appeared first on Dodho.

In my portraits I am looking for honesty and vulnerability. I believe that vulnerability makes us nicer human beings and that this makes the world a little more friendly and more understanding.
The post Portraits by Susanne Middelberg appeared first on Dodho.

Curiouser and Curiouser is a conceptual series of photographs influenced by the story Alice’s Adventures in Wonderland. I was inspired to create this series from personally identifying with the theme of not belonging that features prominently in Alice’s narrative.
The post Curiouser and Curiouser by Vicky Martin appeared first on Dodho.

The Minstrel Show was one of the largest American theater movements in history that would eventually evolve into Vaudeville. It consisted of comic skits, variety acts, dancing and music, performed by white people in blackface.
The post The Modern-Day Minstrel by David Bianchi & Isaac Alvarez appeared first on Dodho.

The photo captures a scene in real time. But at the time of taking, some aspects were invisible or were not noticed or evaluated.
The post Antonis Giakoumakis ; Redefined Moments…… appeared first on Dodho.

This serie is about well dressed kids who seem to live in an decade some time before ours. Mostly they are emotionless with hint of melancholy, put into a scenery that often feels different.
The post Happy Kids by De Westelinck Smith appeared first on Dodho.

In a “Short History of Photography(1931)”, Benjamin firstly coined the term ‘ Optical unconsciousness’,writing that “Another nature … speaks to the camera rather than the eye
The post Mandala in Digital Integration Unconsciousness by Byoung Ho Rhee appeared first on Dodho.

From my window Is not easy. When you are used to travelling, going out with your friends, exercising, bathing on the beach, having a drink on a terrace, etc., that is, when you are used to living…change that is not easy so thanks for stay home! 
The post From my window by Ignacio Santana appeared first on Dodho.

The post The Magnum Digest: May 22, 2020 appeared first on Magnum Photos.

The post Diary of a Pandemic: May 22, 2020 appeared first on Magnum Photos.

The post The Rumble in the Jungle appeared first on Magnum Photos.

The post Quarantine Conversations: Christopher Anderson and Bieke Depoorter appeared first on Magnum Photos.

The post Eve Arnold’s Time With Malcolm X and the Nation of Islam, in Her Own Words appeared first on Magnum Photos.

The post Quarantine Conversations: Jim Goldberg and Moises Saman appeared first on Magnum Photos.

The post The Magnum Digest: May 15, 2020 appeared first on Magnum Photos.

The post Diary of a Pandemic: May 15, 2020 appeared first on Magnum Photos.

  We confuse ourselves with our recognition of our portrait in a mirror. The hand that brushes away the hairs from the forehead, the sweet sticky perspiration that pins the lock to the crown is read in reverse and yet, this reversal is apathetic to the self that it stares back at. The eyes glare […]

“I exhibit a strange tendency in airports to curse, eyeball other people with malice and regard the general process of shuttling and hefting my mass through antiseptic tunnels and bizarre space age flat Jetson walklavators with contempt…”   A commonality between train stations and photography is the architecture of waiting. Waiting can be read in […]

“Othering of the loser of a war is important for collective consciousness and acts as a bulwark against the tide of human sympathy in the matters of inhumane consequence”   There are a number of different ways to approach writing about photography and World War II and to be clear, none of them should consider […]

“Every image poses the question of American identity not just from the standpoint of our present reality, but from the playbook of iconic images – most of them from the twentieth century – that make up the history of American photography.”

“One photographer that impressed me enormously – but it wasn’t my kind of thing at all; I didn’t really do it, but I thought it was brilliant. And also use of text. Both actually – both used text and image. It was Ed van der Elsken.”   Excerpt from a tape-recorded interview with Lewis Baltz […]

“Masuda repudiates the spectacle, revealing another side to the existence these creatures face using the simplest aspects of repetition and chance.”

“This is before the Internet and I was living in an isolated place, so access to ‘culture’ was quite limited but I fortunately did have the photography magazines my parents were buying as well as the radio shows I would try to tune into from the countryside to copy the music on tapes…”   BF: […]

Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…

In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…

She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…

Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…

Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence?  Are we looking for an explanation? For reasons? Justification?  Or are we simply denying our own…

Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…

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