A London-based street photographer gives us an intimate look inside UK supermarkets during the coronavirus pandemic.

We’ve compiled a big list of resources available to the global photography community as we navigate uncertain times: Find financial support, enroll in an online course, discover some new inspiration, or join a virtual community. Updated weekly.

In a surreal play on self-portraiture, Tommy Kha creates 3-D masks of his face for his friends, family, and strangers to wear.

This experiment in shared authorship weaves together an enigmatic imaginary New England location out of spellbinding monochrome vignettes.

Nanna Heitmann combines elements of traditional documentary road trip photography with elements of Russian art and folklore in her depictions of an eclectic mix of individuals, interiors and landscapes.

Trevor Paglen’s spectacular display of images used for training Artificial Intelligence machines revealed the darker sides of non-human vision.

Lucas Foglia travels the world and photographs people as they seek positive ways to engage more thoughtfully with nature in the context of climate change.

After four decades of living abroad, Margaret Courtney-Clarke returned home to Namibia, prompting a sprawling photographic investigation into a radically altered landscape and the lives of those occupying it.

This Mental Health Awareness Week, we share a selection of projects that explore some of the many issues that surround mental health disorders

In the woods and mountains of the Ozarks, Matthew Genitempo finds contemplation and solitude among people who not only escape from the everyday, but from themselves

As a gift to our community during the coronavirus lockdown, we are offering Issue #7780: Small Town Inertia as a free digital edition

An online photography publication interrogating the notion of absence, by students at The Royal Academy of Art, The Hague, takes on new significance in the context of Covid-19

In continuation of our series asking photographers to respond to a theme with an image and text, Patrick Waterhouse, Lua Ribeira, Aishwarya Arumbakkam, Mark Mahaney, Luis Alberto Rodriguez and Max Miechowski reflect on Magic

Postcards from Qurantine combines photographs with text messages from individuals around the world to evoke feelings, moods, and realities that resonate now

In the first of a new series talking to visual creatives about life in lockdown, BJP editor Simon Bainbridge talks to the founder of Self Publish, Be Happy at his Airbnb in Milan – and how he came to launch his sell-out series of online masterclasses focusing on photobooks A decade ago, I was living in a studio flat in Clerkenwell. I moved in after Jodi Bieber moved out. And there were plenty of other local photography connections too: Adam Broomberg and Emma Blau both had studios in the block; Magnum Photos was around the corner; and my friend and neighbour, Bruno Ceschel, had recently given up working for Chris Boot. Sensing the emerging zeitgeist, he had just started receiving sacks full of mail after issuing a call out for self-published photobooks. Trying to make some sense of the flourishing independent photobook scene, Ceschel established Self Publish, Be Happy, showcasing the new titles – from books by long-established artists to teenagers producing zines from their bedrooms – on his new website, and running his first …

Composed of hazy vignettes from his coming-of-age, Stephen Velastegui’s latest zine documents a transitory period of his life in Queens, New York

The Minstrel Show was one of the largest American theater movements in history that would eventually evolve into Vaudeville. It consisted of comic skits, variety acts, dancing and music, performed by white people in blackface.
The post The Modern day Minstrel by Isaac Alvarez appeared first on Dodho.

From my window Is not easy. When you are used to travelling, going out with your friends, exercising, bathing on the beach, having a drink on a terrace, etc., that is, when you are used to living…change that is not easy so thanks for stay home! 
The post From my window by Ignacio Santana appeared first on Dodho.

Walking through one of the camps I saw a kind of shack in which there were many people queuing. I approached them and noticed that they were waiting to dispatch what they had been granted in another shack. They had a sort of voucher and were waiting their turn to collect materials; mainly, canvas covers to build or repair their homes.
The post Interview with Joxe Inazio Kuesta; Published in our print edition #11 appeared first on Dodho.

Last November Venice experienced the second highest tide in recorded history. Looking at the top 10 tides, we see that five have occurred in the past 20 years and the frequency of exceptional tidal flooding above 110 cm have ramped up dramatically through the years.
The post The last tide by Marco Campi appeared first on Dodho.

A place. Insignificant, work of the hand of man. Where are we? In a nondescript urban space: a commercial, industrial area, offices? It doesn’t matter. It is a world without a soul, where it’s neither good to live nor work.
The post Translations by Véronique L’hoste appeared first on Dodho.

This series documents the incongruous behavior between man and the environment in Sumatra. On the one hand, humans destroy virgin forests wounding and killing animals, while on the other, they do everything possible to save them.
The post Saving Orangutans by Alain Schroeder appeared first on Dodho.

The butterfly flaps its wings effortlessly for a time.  It glides for a moment, catching its breath while enjoying a guiding breeze. Then another flurry of activity with no apparent destination.
The post On butterfly wings by Matthew Hall appeared first on Dodho.

The universe is filled with living and dead matter. Both matters interpenetrate each other. Everything around us is energy. Words, thoughts, feelings cause vibrations, release energy. A way to communicate. 
The post Transfer by Michał Konrad appeared first on Dodho.

The post Quarantine Conversations: Jim Goldberg and Moises Saman appeared first on Magnum Photos.

The post The Magnum Digest: May 15, 2020 appeared first on Magnum Photos.

The post Diary of a Pandemic: May 15, 2020 appeared first on Magnum Photos.

The post Quarantine Conversations: Olivia Arthur and Alec Soth appeared first on Magnum Photos.

The post The Magnum Digest: May 8, 2020 appeared first on Magnum Photos.

The post Diary of a Pandemic: May 8, 2020 appeared first on Magnum Photos.

The post On Girlhood in Gaza appeared first on Magnum Photos.

The post Quarantine Conversations: David Hurn and Gregory Halpern appeared first on Magnum Photos.

“Othering of the loser of a war is important for collective consciousness and acts as a bulwark against the tide of human sympathy in the matters of inhumane consequence”   There are a number of different ways to approach writing about photography and World War II and to be clear, none of them should consider […]

“Every image poses the question of American identity not just from the standpoint of our present reality, but from the playbook of iconic images – most of them from the twentieth century – that make up the history of American photography.”

“Masuda repudiates the spectacle, revealing another side to the existence these creatures face using the simplest aspects of repetition and chance.”

“This is before the Internet and I was living in an isolated place, so access to ‘culture’ was quite limited but I fortunately did have the photography magazines my parents were buying as well as the radio shows I would try to tune into from the countryside to copy the music on tapes…”   BF: […]

“Animals by evolutionary prowess and survival mode are given differing powers of sight. Humans with the benefit of great vision are still limited to a fairly diffuse understanding of the wider spectrum. Such is the case of our art as well”   On the face of it, color or chromatic evaluation of form is spectrum […]

“Objects are malleable things – mutely concrete, or freighted with almost unbearable significance. Watkins’ photographs share this equivocality, wavering between documents and invocations.”

  “Many photographers will know that moment when they cross the path of the sun beaming down from a fifth story window-some will not even see it, they will feel the change of luminescence on their cheek, their hair will feel warmer as they pace”     The is a debilitating moment for many photographers […]

Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…

In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…

She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…

Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…

Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence?  Are we looking for an explanation? For reasons? Justification?  Or are we simply denying our own…

Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…

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