This experiment in shared authorship weaves together an enigmatic imaginary New England location out of spellbinding monochrome vignettes.

Nanna Heitmann combines elements of traditional documentary road trip photography with elements of Russian art and folklore in her depictions of an eclectic mix of individuals, interiors and landscapes.

Trevor Paglen’s spectacular display of images used for training Artificial Intelligence machines revealed the darker sides of non-human vision.

We’ve compiled a big list of resources available to the global photography community as we navigate uncertain times: Find financial support, enroll in an online course, discover some new inspiration, or join a virtual community. Updated weekly.

Lucas Foglia travels the world and photographs people as they seek positive ways to engage more thoughtfully with nature in the context of climate change.

After four decades of living abroad, Margaret Courtney-Clarke returned home to Namibia, prompting a sprawling photographic investigation into a radically altered landscape and the lives of those occupying it.

Homayra Adiba captures the hushed, ephemeral moments of everyday life that unfold across the rooftops of Bangladesh’s city of Dhaka.

Transforming simple objects into vibrant and shimmering abstractions, Deborah Bay’s inspiring studies on light and color are a reminder of the magic of photography and what we can do with it.

Uzochukwu reflects on the subject of the body within his work, and beyond it, at a time when the bodies of others feel more distant than ever, and our own bodies have become emblems of illness and danger

Endia Beal’s photographs highlight the judgements and prejudices facing young women of colour in the job market

As a gift to our community during the coronavirus lockdown, we are offering our Female Gaze issue as a free digital edition

Robbie Lawrence, Senta Simond, Chad Moore, Matthew Morrocco, and others, reflect on the experience of intimacy amid the current crisis — the second in a series of articles inviting artists to respond to a theme with image and text

Pixy Liao interviews her favourite artist, Elina Brotherus, about her influences, creativity during lockdown, and the performative elements of their self portraiture

In 2007, Subotzky and Patrick Waterhouse began a six-year project about the infamous Johannesburg skyscraper. Now, a new addition to the work focuses on its dystopian core — an almost 200-metre long abyss running up its centre

The eminent photo-historian and Director of Education and Public Affairs at the Royal Photographic Society talks finding new inspiration in photograph

Discover 108 photographs in the running for the annual prize, and a print sale with 100 per cent of profits going to the artists

The butterfly flaps its wings effortlessly for a time.  It glides for a moment, catching its breath while enjoying a guiding breeze. Then another flurry of activity with no apparent destination.
The post On butterfly wings by Matthew Hall appeared first on Dodho.

The universe is filled with living and dead matter. Both matters interpenetrate each other. Everything around us is energy. Words, thoughts, feelings cause vibrations, release energy. A way to communicate. 
The post Transfer by Michał Konrad appeared first on Dodho.

The North of Russia abounds with history, folklore and mythology. Seclusion of these lands from the central regions had a substancial impact on how people save and cherish their artistic and folk heritage from the old days.
The post Songs of the past by Sasha Velichko appeared first on Dodho.

Sometimes it seems that the time flows according to the clock, but actually all those figures and clock hands do not have anything in common with the time.
The post Annapurna Circuit by Adele Akhunova appeared first on Dodho.

For me creating still life compositions is a form of self-exploration. The creating process is an intriguing and almost devotional journey through my mind. Through predilections in aesthetic decisions such as subject matter, color and composition the work reflects who I am, where I come from and what I have experienced.
The post The ordinary by Lotta Lemetti appeared first on Dodho.

What would we do if our only home, the only place that we can live in, would be invaded with unknown materials that we have neither the instinctive knowledge nor genetic information passed by prior generations for avoiding it or use any already build defence mechanism?
The post Human Waste III by Beatriz Glez Sa appeared first on Dodho.

Refugees and immigrants arriving to Europe are sidelined from day one, forced to survive on the edges of the First World, facing razor wires and hostile attitudes. Contemporary nomads with no sense of arrival, their fate echoes the age-old story of constant movement in today’s liquid global society.
The post Foreign Landscape by Dawid Zieliński appeared first on Dodho.

Dodho Magazine partnered with GuruShots “The Worlds Greatest Photo Game” in a photo challenge contest titled “Man Vs Nature”  Over 100,000 photos were submitted and more than 45 million votes were cast!
The post GuruShots Photo Challenge : Man Vs Nature appeared first on Dodho.

The post Magnum Quarantine Conversations: Olivia Arthur and Alec Soth appeared first on Magnum Photos.

The post The Magnum Digest: May 8, 2020 appeared first on Magnum Photos.

The post Diary of a Pandemic: May 8, 2020 appeared first on Magnum Photos.

The post On Girlhood in Gaza appeared first on Magnum Photos.

The post Magnum Quarantine Conversations: David Hurn and Gregory Halpern appeared first on Magnum Photos.

The post Magnum Quarantine Conversations: Carolyn Drake & Peter van Agtmael appeared first on Magnum Photos.

The post The Magnum Digest: May 1, 2020 appeared first on Magnum Photos.

The post Diary of a Pandemic: May 1, 2020 appeared first on Magnum Photos.

“Othering of the loser of a war is important for collective consciousness and acts as a bulwark against the tide of human sympathy in the matters of inhumane consequence”     There are a number of different ways to approach writing about photography and World War II and to be clear, none of them should […]

“Every image poses the question of American identity not just from the standpoint of our present reality, but from the playbook of iconic images – most of them from the twentieth century – that make up the history of American photography.”

“Masuda repudiates the spectacle, revealing another side to the existence these creatures face using the simplest aspects of repetition and chance.”

  “This is before the Internet and I was living in an isolated place, so access to ‘culture’ was quite limited but I fortunately did have the photography magazines my parents were buying as well as the radio shows I would try to tune into from the countryside to copy the music on tapes…”   […]

    “Animals by evolutionary prowess and survival mode are given differing powers of sight. Humans with the benefit of great vision are still limited to a fairly diffuse understanding of the wider spectrum. Such is the case of our art as well”   On the face of it, color or chromatic evaluation of form […]

“Objects are malleable things – mutely concrete, or freighted with almost unbearable significance. Watkins’ photographs share this equivocality, wavering between documents and invocations.”

  “Many photographers will know that moment when they cross the path of the sun beaming down from a fifth story window-some will not even see it, they will feel the change of luminescence on their cheek, their hair will feel warmer as they pace”     The is a debilitating moment for many photographers […]

Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori. The curator, Sandra KrižićBoban moves the focus from the domestic art scene to the neighboring scene, the Slovenian scene, creating a collaboration with Gallery Fotografija…

In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either show individual persons, or several of them set in the same environment. It is clear that each person is aware that he / she is…

She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and it finally led her to the later series of Operas and Plays. I am trying to be as commonplace as I can be, she used to…

Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also real. The significance of the media-projected reality uncovers itself through strengthening the awareness of necessity to transcend the realistic ideology frame. It is exactly this…

Where does the need to build an identity by reconstructing a family history come from? What is it in the past that is so strong that we could possibly rely on in an attempt to define our own existence?  Are we looking for an explanation? For reasons? Justification?  Or are we simply denying our own…

Davor takes interest in the fringe fields of light. What does he find in them? Fringe frequencies? But there is no such a thing, cause frequencies always move on, metamorphosing from visible to invisible, from light to sound and, further down to the oscillations that make up the universe. The given possibilities of our perceptions…

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